CODY BOYCE
Dreamer Dreamt
The Humbling
Vermont
See You at Riis
Speaking Sentences Backwards
Filling Holes
Between Isolation
Earth is a Breathing Valley
Music for Unfinished Instruments
Acoustic Ephemera
Partials (from the frozen mud field)
Intimate Views
Continuous Becoming
Interrobang
Light, Color and Geometry
Dark and Pretty Flat
Vortex

Cody Boyce is an artist and musician based in Queens, NY. He has composed for dance, film and installation, including  collaborations with his sister, choreographer Esmé Boyce; filmmakers Joseph Barglowski, Robert Orlowski, Miriam Gabriel and Sophia de Baun; and artists Matthew Schreiber, Osvald Landmark and Ryan Hartley Smith. He makes improvised music with Matti Weisberg, aka Fruiting Body.

Dreamer Dreamt

2025

Music by Dreamt Dreamer
Recorded, mixed and mastered by Sam Carlson at Sans Serif Recording, New Haven, CT
Additional mixing by Dreamt Dreamer

Artwork by Cody Boyce

Dreamer Dreamt is the debut album by Dreamt Dreamer, the duo of Matti Weisberg (trumpet, bowed guitar, software, electronics) and Cody Boyce (zithers, mixer, effects pedals, electronics). Shaped from extended improvisations, Dreamer Dreamt nests layers of feedback and interconnected voices to tell a story about life in many forms.

Vinyl LP now available for pre-order via Bandcamp.




The Humbling

2024

Performed, recorded and mixed by Cody Boyce

Cover art by Tahlo Travieso-Boyce

Original soundtrack of electric guitar music composed for The Humbling or Chapter of Mama: Part 1 by Esmé Boyce Dance.

The Humbling or Chapter of Mama: Part 1 is a critical reflection of the joys and challenges of being a mother and a working artist. It is a piece for five dance artists; as well as my toddler and husband; and the toddler, newborn and husband of [dancer] Caroline Fermin. All work together to perform the piece. Devotion is laced throughout the work in how we engage with our children and how we continue to return to the steps we’ve laid out for ourselves.”

– Esmé Boyce

The piece was developed in part during a Baryshnikov Arts Residency (BAC Open) at Baryshnikov Arts Center, New York, NY from October – November, 2023. In addition, this project was made possible with funds from the Bronx Cultural Visions Fund, a regrant program of the Bronx Council on the Arts.






Vermont

2024

Recorded, mixed and mastered by Cody Boyce
Additional mixing by Noah Chevan
Location sound by Robyn Huey and Maxwell di Paolo

Noah Chevan – piano
Eva Redamonti – flute
Cody Boyce – MS-20 mini, software

Original soundtrack written and recorded for a short film by Joseph Barglowski.

“A couple returns from a mountain trip with their desires unsettled. Back in the city, a man contemplates an unseen landscape and explores alternative paths, all while grappling with the memories of his journey. His encounters with clients, friends, and strangers attempt to piece together details of what happened in Vermont.”

Stream Vermont on the Criterion Channel.

Screenings:
IndieLisboa 2024 International Film Festival — May 2024, Lisbon, Portugal
L'Œil d'Oodaaq Festival 2024 — May 2024, Rennes, France





See You at Riis

2024

Installation by Ryan Hartley Smith
Projection mapping coordinated by ATD Audio Visual
Music composition by Cody Boyce

See You at Riis is an 11,000 square foot love letter to the historically queer “People’s Beach” at Jacob Riis Park. It is a site-specific, projection-mapped animation designed by artist Ryan Hartley Smith to interact with the historic facades of airplane hangars 3 & 4 at Floyd Bennett Field in the Gateway National Recreation Area. It was commissioned by the Jamaica Bay Rockaway Parks Conservancy and premiered in April, 2024 as part of a public arts festival.



Speaking Sentences Backwards

2023

A group exhibition at Real Art Ways featuring Paloma Izquierdo, Miguel Gaydosh, Matthew Schreiber, Laura Henriksen, Jeremy Toussaint-Baptiste and Dylan Hausthor, curated by Cody Boyce.

“[Haunting] points to the non-full, non-total presence of being. In every being there’s always already an absence of presence, an inheritance, a trace of that which was and that which is to come. In every being there is a haunting.”

– Ezekiel Dixon-Román in “Haunting, Blackness, and Algorithmic Thought”

The works in Speaking Sentences Backwards are haunted: by history and myth, by extractive processes of capitalist industry, by anti-Black policing and government surveillance, by conspiracies both real and imagined. They are also haunted by possibility and loss, by futures promised but not yet realized.

Through photography, sculpture, video, sound, holography, poetry, and design, Speaking Sentences Backwards points to ephemeral traces at the periphery. The featured artists look to broaden thresholds of perception, receiving signals through environment, radio waves, sub-bass frequencies, interference patterns—the infra- and ultra- ranges of experience. These efforts are marked by a fixation with technologies of recording and transmission—mechanisms through which the invisible or intangible is captured and represented. They are also characterized by strategies of concealment and alteration, through which spaces of privacy and intimacy are claimed from existing structures.

Image credit: John Groo
Matthew Schreiber
Image credit: John Groo
Dylan Hausthor
Image credit: John Groo
Image credit: John Groo
Paloma Izquierdo
Image credit: John Groo
Paloma Izquierdo
Image credit: John Groo
Image credit: John Groo
Paloma Izquierdo
Image credit: John Groo
Miguel Gaydosh
Image credit: John Groo
Dylan Hausthor
Image credit: John Groo
“The Governess” by Laura Henriksen
Layout design with Miguel Gaydosh
Image credit: John Groo
Matthew Schreiber
Image credit: John Groo
Jeremy Toussaint-Baptiste
Image credit: John Groo
Jeremy Toussaint-Baptiste
Image credit: John Groo
Image credit: John Groo


Filling Holes

2023

Performed, recorded and mixed by Cody Boyce

Original soundtrack written and recorded for a short film by Miriam Gabriel and Sophia de Baun.

“A cross between fiction and non-fiction formats, Filling Holes explores the relationship between three friends as their lives change amidst the pandemic. When Sophia breaks up with her long-term boyfriend, she realizes she is lost and lonely. She uses her friendship with Mimi and Mimi’s boyfriend Amer to fill painful voids.

Stream Filling Holes on NoBudge.

Screenings:
NoBudge Live #30 — December 2022, Brooklyn, NY
Lower East Side Film Festival 2023 — May 2023, New York, NY
Mammoth Lakes Film Festival 2023 — May 2023, Mammoth Lakes, CA




Between Isolation

2022

Directed by Osvald Landmark
Movement by Kellie Lynch
Soundtrack by Cody Boyce

Collaboration with Osvald Landmark and performer Kellie Lynch, screened at the opening ceremony of Yale Schwarzman Center.

“I worked with performer Kellie Lynch to interpret the sensation of isolation and the ensuing struggle to regain orientation…To capture the moving body, I worked with a motion capture studio system and true depth infrared sensors. The story pays homage to Plato’s Cave Allegory and the struggle to question one’s own point of view.”

– Osvald Landmark





Earth is a Breathing Valley

2021

Music and story by Matti Weisberg
Illustration and scores by Cody Boyce

Collaboration with artist and composer Matti Weisberg as part of their ongoing project Every Force Evolves a Form.

“Every Force Evolves a Form is an illustrated allegory of transness and contemporary physics, set to a score of semi-composed instrumental music. The story follows a blip on the eternal energy plane, who upon meeting a kindred blip is sucked into the material realm and cast into a journey of self-rediscovery through the evolution of the universe and human consciousness.”

– Matti Weisberg






Music for Unfinished Instruments

2021

Recorded and mixed by Cody Boyce
Mastered by Sean McCann

Raphael Peterson – piano on “Porous Sense”
Dan Catucci – cymbals on “Dust”
Matti Weisberg – trumpet on “Dust”
Che Chen – double bass on “Dust”
Talice Lee – violin on “Dust,” vocals on “Calcified (Talice’s Song)”
Cody Boyce – guitars, zithers, square wave oscillator, MS-20 mini, effects pedals, mixer, electronics, tape machine, software

Cover photo by Kyle Richardson

Music for Unfinished Instruments materialized gradually, pieced together from fragments performed in different spaces between the fall of 2018 and the summer of 2021. The idea was just to use the studio. To make time for participants and instruments to sound together, and to gently form the results into something with discernible structure. Alongside these efforts, I had been making alterations to three zither instruments. Using pickups, oscillators, and other basic electronics, I was feeling out a personal way to play with harmonics, tuning, and feedback. Many of the first zither recordings have a charming inelegance to them, as I stumbled across gestures that were newly available through physical changes. So, the approach rippled out to other musical elements as the sessions continued. With most of the parts only roughly sketched out beforehand, this music is open: open to the contributions of both the musicians and the instruments, open in its sense of space and movement through time, open-hearted. The title then refers to the literal instruments in progress, but also to myself and my collaborators as unfinished instruments—still variable, still capable of something else.






Acoustic Ephemera and

Transmissions of Weakness

2020

Text and scores by Cody Boyce
Photography and Design by Kyle Richardson
Poems by Morgan Võ, from Lights of Earth (2019)
Cyanotypes by Josiah Valle Ellis

MFA thesis text situating recent musical compositions in relation to ‘weak noise.’ The text traces the development of the feedback zither system integral to Folded Cyanotypes —an ongoing series of graphic and text scores—and examines the influence of composers Harry Partch, James Tenney, Éliane Radigue, Arnold Dreyblatt and Ellen Fullman.

Download the full PDF.




Partials (from the frozen mud field)

2020

beeswax, graphite powder, dried olive leaves, swivel vise 
24 × 14 × 10 ¾ in.

A sculptural investigation of sound, materialized memory, and recording technology. The title is sourced from French spectral composer Gérard Grisey’s 1975 composition Partiels, as well as a passage from poet Morgan Võ’s 2019 chapbook Lights of Earth:

bringing snow inside
from the frozen mud field
kid amazing with
a leap towards the air
somehow, it works!
to trust in physics
keeps her where she chose
a black spot, ten feet
off the ground




Intimate Views

2020

Recorded, mixed and mastered by Cody Boyce

David Elkin-Ginnetti – saxophone on “Anniversary”
Cody Boyce – MS-20 mini, effects pedals, tape machine, acoustic guitar, software

Original soundtrack written and recorded for a short film by Joseph Barglowski. The film premiered in 2021 as part of Spectacle Theater's Long Distance Film Festival, where it received an audience award.

“A house in the woods reveals its mythology to a couple of temporary inhabitants. Shot throughout two seasons in the same year, Intimate Views charts the evolution of one location through the exploration of two subsequent relationships that unfold within its walls.”

Stream Intimate Views on Plex.





Continuous Becoming

2019

Sound design by Cody Boyce

Recordings by Cody Boyce, Maxwell Di Paolo and Robert Orlowski

A sound score of layered and digitally processed field recordings composed for an experimental short film by Robert Orlowski.

“Utilizing the concept of space-time popularized by Einstein’s special relativity, Continuous Becoming attempts to translate 4-dimensional space through the 2-dimensional plane. The film revolves around the axis of a 360 degree camera rotation. With each rotation, partitions are gradually added dividing the frame, each of which are offset by a frame ahead in time. The image, once fixed by a single locality and temporality, slowly becomes a malleable surface susceptible to the pressures of expanding space-time.”

Screenings:
Transient Visions Festival of the Moving Image 2019 - Johnson City, NY
The Film-Makers’ Cooperative New Year New Work 2020 - New York, NY
Alchemy Film and Moving Image Festival 2020 - Hawick, SCT
Iowa City International Documentary Film Festival 2020 - Iowa City, IA
Fracto Experimental Film Encounter 2020 - Berlin, DE
Microscope Gallery - YES Emerging Artist Series - New York, NY





Interrobang

2017

Recorded, mixed and mastered by Cody Boyce

Marí Coetzee – cello
Tyler Cunningham – vibraphone
Talice Lee – violin
Cody Boyce – synthesis, electric guitar, electric organ, bass guitar, piano, glockenspiel, effects pedals, tape machine, software

A recorded score composed for a dance performance by Esmé Boyce Dance. Presented in June, 2017, as part of the Dig Dance series at 92nd Street Y, New York, NY.

Interrobang
is an interdisciplinary dance piece that deconstructs expectations and order. The work offers permutations of formal movement that evoke, change and remove meaning. Interrobang, the title of which refers to the nonstandard punctuation mark (‽), began as an investigation of the absurdist sensibilities of the Dada art movement. It grew to be a study of shifting contexts: comically baroque movement is undercut by plainly emotional music, melodies that verge on the sentimental are rendered uneasy by dissonance and distortion, refined gestures quickly devolve through repetition.






Light, Color and Geometry

2017

Performed, recorded and mixed
by Cody Boyce

Nathaniel Wolkstein – violin

Recorded score of violin, electric guitar, and electronics commissioned by the Frost Museum of Science in Miami, FL. Presented as part of an exhibit about the physics of laser light. Produced in collaboration with exhibition designer Matthew Schreiber and violinist Nathaniel Wolkstein.

Through light, sound and sculpture, Light, Color and Geometry sought to reveal the potential of single frequency light. Designed by artist Matthew Schreiber, a central geometric form held four displays demonstrating properties of the visible light spectrum. The spectrum was reduced to a single frequency within a color band, manipulated by optics to create interference patterns, then finally recombined as an RGB color mix of white laser light.